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Archive for the ‘Clergy Training Program’ Category

1.   Describe the generation of the cosmos, and what is done in ADF ritual to ensure that the cosmos remains in order. (300 words min.)

ADF’s ritual structure is, at its heart, a re-creation of the cosmos. We first channel Fire and Water – the two primordial forces – and then we recreate the world itself, through the three hallows of Fire (which connects us to the upperworld), Well (which connects us to the lower world) and Tree (which exists in our world and yet stretches to contain all the worlds). By creating a sacred center via the powers of Fire and Water, we re-create the order that maintains the worlds themselves, and we perform the right actions – the rta – that uphold the cosmos itself (Dangler).

The cosmos was itself created by sacrifice, when the primordial being (frequently “Twin”) is killed or dismembered (frequently by “Man”) and its body is used to form the world. This is reflected in several hearth cultures, including the Vedic Perusha, the Norse Ymir, and the Roman twins Romulus and Remus (Thomas). This sacrifice of the primordial being is what brings about the cosmos itself.

In each Core Order ritual, each element of the cosmos is taken and put in its proper place. The ultimate order is maintained, as “ritual order takes the formless and gives it shape” (Serith). Like the Fire and Ice combining in Ginnungagap to make the Giant Ymir, from whom the very worlds are formed, our Rituals combine Fire and Water (which are themselves both ordered and chaotic, depending on the form they take) into the elements of order that represent the cosmos itself. “From a point where the ritual begins; through to the description of the cosmos; past the sacralization and population of that cosmos; and even in the blessings poured forth upon us by the Kindreds, we are engaging in an emulation of the rta and following the example given to us by the Kindreds” (Dangler).

We then take those elements and through them we pour our sacrifices – and sacrifices themselves are ordering, as they align our purposes with each other and with the Kindreds (Dangler). “The sacrificial order takes Chaos and forms it into a non-destructive but still vivifying flow”, a flow that we can use and channel into our world as something sanctified and sanctifying (Serith). In recreating the cosmos in each ritual, we reinforce the order, the right truth of the cosmos, and then in the return flow the cosmos pours back into us the power to transform ourselves and our world, to affect and remake us after the proper order of things.

As well as the general order of ritual itself, there is the cycle of rituals that we maintain that upholds the proper order of the cosmos. As Neopagan Druids we keep the Wheel of the Year, and in celebrating key events in the cycle of the year itself, we help progress those events and ensure that they continue in the right order. We, in a sense, become agents of the cosmic order ourselves, and ensure the persistence of the cosmos (Dangler).

2.   Describe the physical items that exemplify the sacred center in ADF ritual, and how each constituent part reflects the vision of an ordered cosmos. (300 words min.)

The sacred center in ADF ritual is most often represented by the Fire, the Well, and the Tree. Typically, in an ADF ritual, the fire is represented some type of actual fire (whether a bonfire or simply a candle, though electric fires can also be used), and the well is represented by water in some form (typically in a bowl or cauldron, though sometimes in a dug well or pit). Representations of the tree can vary from an actual tree, to cut branches, to symbolic trees carved out of other materials, to potted plants, to posts and world pillars. In all three cases, exceptions can be had, especially exceptions of necessity. A Druid in a dorm room, for example, might not be able to have anything more than some red and orange tissue paper to represent their fire, where a Druid practicing from deployment might have to do entirely without physical representations of the hallows, or with a simple set of hallows drawn on notebook paper.

These three hallows act as gates to the otherworlds, and articulate the power of the sacred center to reach into all the worlds.

  • “The Fire points upward, with its leaping tongues and rising smoke, toward the Heaven Realm” (Newburg). Fire transmits our sacrifices (which are cosmos affirming) into the upper worlds and makes them available to the spirits.
  • “The Well leads down toward the Underworld” (Newburg). The Well gives us a connection to the Ancestors, who lit fires and prayed before us, and from whom we learn about how to maintain the world order itself.
  • “The Tree, like Yggdrasil, connects all the worlds” (Newburg). The tree is an example of an axis mundi – the axis around which all the worlds turn, and the central feature of them all. The Tree is perhaps the most interconnected of the hallows, and represents the connections we have with the spirits, be they natural, divine, or ancestral.

The three elements of the sacred center are also interconnected, and their connections maintain elements of the sacred order. “The Tree (the axis mundi) is fed by water from the Well. The Tree drops fruit into the Well. Back and forth they exchange their gifts, and the Cosmos is maintained thereby” (Serith). The Tree (the axis mundi) extends into the heavens, where light nourishes it and blesses it with green leaves. In exchange, the tree carries upward the messages of the middle world, and the Cosmos is again maintained. Fire is said to be “connected intimately with the celestial waters, often said to be born from them” (Dangler). Each element of the sacred center feeds into the others, and together they form the hallows around which ADF performs its rituals. While each individually can represent elements of the cosmic order, together they present a full picture of the order of the cosmos – an order which is reciprocal, and balanced upon the giving and receiving of gifts.

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1.   Explain why public, inclusive ritual is important to ADF. (200 words min.)

Public, inclusive ritual is one of the cornerstones of ADF, and as such is written directly into the constitution:

“Since one of the primary duties of the ancient Druids was to lead their tribes in magical and religious activities, ADF advocates and practices, as an integral part of our faith, open, inclusionary, and public ceremonies to worship the Earth Mother and the Old Gods and Goddesses, rites of passage to mark the cycles of our lives, and magical rituals to accomplish our other goals in an honest and ethical manner.” (ADF Constitution)

Public ritual is “where non-members get to see the organization at work and get a feeling for the aesthetics” (Gold). It opens up our ranks to outsiders, and allows us to act as ambassadors for the Kindreds, putting our worship out in the open and allowing new people to experience and worship and make sacrifices with us. Open rituals foster community in a large sense, and follow in the traditions of the ancient world, where large public community ritual was typical.

“In the Druidic tradition the obligation to perform public ritual has always been strong. The ancient druids were the administrators of ceremony and acted as sacrificers, diviners and counselors for their folk. We hope to follow their example, and our work centers around modern public Paganism” (Corrigan “Magical”).

Being open and being a modern face to public Paganism also helps Paganism become more mainstream and accepted in the current culture. When Pagan rites are secret and mysterious, it opens the door for all kinds of false things to be said about them. Open rituals are easily attended by any non-disruptive person who wishes to see for themselves what these Druids are really on about. Keeping things open allows that person to learn about us and our ways without relying on the (generally inaccurate) media portrayals and entertainment portrayals of what Paganism is and is about.

This also allows us to bring Paganism out into the open in areas where it might otherwise be inaccessible. While there will always be room for mystery traditions, if someone doesn’t get along with a local coven, they may be out of luck when it comes to being part of a Pagan community. ADF offers to change that with open, inclusive rituals that do not demand anything other than a willing, community-minded spirit to participate in our work.

2.   Describe the duties and function of clergy in ADF. (100 words min.)

The duties and function of the priest in ADF is summed up quite succinctly in the essay “The Role of the Priest in ADF”:

  • To formulate and articulate the theology and liturgy of ADF and to act as spiritual advisers to its membership.
  • Ordain, train and supervise all of ADF’s Clergy, both in ceremony and in the common lives of our members.
  • Establish and conduct an ADF prison ministry and will train, authorize and supervise ADF Prisoner Spiritual Advisers.

Starting from these points, the role of the priest is to ensure that sacrifices are made at the proper times and in the proper ways, to engage in training and provide training to others, and to aid others in developing relationships with the Kindreds. While not all priests will be called to pastoral care, all priests are expected to be capable sacrificers and ritualists. ADF priests serve both the Kindreds and the Folk, and in doing so help further the overall goals of the organization – to create a public and accepted Neopagan church with well trained and accessible clergy.

ADF’s “Subgroup Charter Manual” further elaborates on the role of the priest in ADF, including in their list of activities determining ADF liturgical and ordination standards, representing ADF Druidry in theological matters outside of ADF, and researching, writing, and publishing works based on ADF Druidry. As well ADF priests govern the various Orders of ADF.

3.   Explain why ADF has an Indo-European focus, and why we use the term “Druid” in our name. (200 words min.)

ADF has an Indo-European focus because that was the goal of Isaac Bonewits when he founded the organization. From the ADF Constitution: Ár nDraíocht Féin: A Druid Fellowship, Inc., also known as “ADF,” is the legal structure for a Neopagan Druidic religion based on the beliefs and practices of the ancient Indo-Europeans, adapted to the needs and sensibilities of modern people. It’s in our founding documents that we are Indo-European focused, and that focus keeps us from being overly generic in our Paganism. Everyone needs boundaries of some sort, and Indo-European cultures have enough similarities with each other as to be familiar in a cultural and religious sense, as well as enough time since their existence as a contemporary religion to not approach cultural appropriation of existing minority religions.

Bonewits created ADF on the premise of a pan-Indo-European Neopaganism that was founded in scholarship but still created an approachable, meaningful religion for a modern person. He saw “Druids” as the “artists and intellectuals, magicians and clergy” of their respective communities, and in seeking to recreate that in a modern context, the word “Druid” got appended to what we do (Bonewits Essential Guide 107-9).

While a large portion of ADF does work in the Celtic hearth culture, there are many who do not, and who would be just as capable using the term “flamen”, “brahmin”, “godi/gythja”, or other culturally appropriate names for the priest class. However, Druidry is what Druids do (Bonewits Essential Guide xix), and the word “Druid” in its modern context incorporates all of us. ADF never really defines the term “Druid” in the sense that one must be seeking to re-create the ancient Celtic Druid class of people and scholars. Instead, a Druid is simply “a polytheistic, non-dualist, non-sexist, non-racist, scientific, holistic, and ecologically oriented” person who worships in the Indo-European context in some way (ADF Constitution).

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Bonewits, Isaac. Neopagan Rites: A Guide to Creating Public Rituals that Work. Minneapolis: Llewellyn Publications, 2007. Print.

Bonewits, Isaac. “Step by Step through A Druid Worship Ceremony.” ADF. Web. 16 September 2014. <https://www.adf.org/rituals/explanations/stepbystep.html&gt;.

Brooks, Arnold. “A Druidic Ritual Primer.” ADF. Web. 16 September 2014. <https://www.adf.org/rituals/explanations/ritual-primer.html&gt;.

Brooks, Arnold. “Goals of Group Ritual.” ADF. Web. 16 September 2014. <https://www.adf.org/rituals/explanations/group-ritual-goals.html&gt;.

Corrigan, Ian. “The Intentions of Drudic Ritual.” ADF. Web. 16 September 2014. <https://www.adf.org/rituals/explanations/intentions.html&gt;.

Corrigan, Ian. “Magical Skills in Druidic Ritual.” ADF. Web. 16 September 2014. <https://www.adf.org/rituals/explanations/magskills.html&gt;.

Corrigan, Ian. “The Worlds and the Kindreds.” ADF. Web. 16 September 2014. <https://www.adf.org/articles/cosmology/worlds-kindreds.html&gt;.

Dangler, Rev. Michael J. “Nine Central Tenets of Druidic Worship.” ADF. Web. 16 September 2014. <https://www.adf.org/articles/cosmology/nine-tenets.html&gt;.

MacCulloch, J. A. The Religion of the Ancient Celts. Sacred Texts Online. Web. 16 September 2014. <http://www.sacred-texts.com/neu/celt/rac/rac16.htm&gt;.

Newburg, Brandon. “Ancient Symbols, Modern Rites: A Core Order of Ritual Tutorial for Ár nDraíocht Féin.” ADF. Web. 21 August 2014. <https://www.adf.org/members/training/dedicant-path/articles/coortutorial/index.html&gt;.

Paradox. “Sacred Space, an Exploration of the Triple Center.” ADF. Web.  2 June 2014. <https://www.adf.org/articles/cosmology/sacred-space.html&gt;.

Thomas, Rev. Kirk. “The Nature of Sacrifice.” ADF. Web. 16 September 2014. <https://www.adf.org/articles/cosmology/nature-of-sacrifice.html>.

Serith, Ceisiwr. A Book of Pagan Prayer. Boston, MA: Weiser, 2002. Print.

Wikipedia contributors. “Hecatomb.” Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia. Web. 16 Sep. 2014. <http://en.wikipedia.org/wiki/Hecatomb&gt;.

Wikipedia contributors. “Óðrerir.” Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia. Web. 16 Sep. 2014. <http://en.wikipedia.org/wiki/%C3%93%C3%B0rerir&gt;.

Wikipedia contributors. “Roman temple.” Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia. Web. 16 Sep. 2014. <http://en.wikipedia.org/wiki/Roman_temple&gt;.

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15.    Describe possible cultural variances for elements discussed in questions 3 through 14 above. (minimum 100 words)

ADF’s Core Order of Ritual is designed to remain coherent even while being adaptable to different hearth cultures. The following are cultural variations that might be found for the various elements of the Core Order:

  • Center and Gates – The sacred center can be represented by the World Tree (Yggdrasil/Eormensyl – Norse/Anglo-Saxon), or by the Sacred Mountain (Olympus – Hellenic). It can also be seen as the “center place” between Niflheim and Muspelheim – the Ginnungagap, the center of creation. The gates could be represented by something like the Bifrost Bridge in Norse mythology, making a direct connection to the world of the Gods.
  • Sacred Space/Outer Boundary – Roman rituals typically took place in temples, with defined boundaries and spaces, so a Roman rite might provide specific space as sacred (especially if they repeatedly use the same ritual space) rather than allowing for a completely open ritual (Wikipedia “Roman Temple”).
  • Earth Mother – A Hellenic ritual might substitute Hestia as the Hearth Goddess instead of an Earth Mother figure (though I believe substituting out the Earth Mother invalidates the Core Order, so substitutions here are a little problematic, but you might ADD an offering to Hestia as the one who gets the first sacrifice).
  • Fire and Water – As purification goes, some ritualists might add “earth” to Fire and Water, to make Land, Sky, and Sea as elements of purification (though I don’t know that this is specifically attested in any hearth culture, the Irish particularly liked references to Land, Sky, and Sea). As the two powers, chaos and order can be substituted for fire and water, or even Niflheim and Muspelheim (Fire and Ice).
  • Fire, Well, and Tree – Hellenic ritual might substitute a mountain (or rock) for the tree, and a pit for the well, as those are culturally significant in Hellenic mythology (Mount Olympus and the pit to access the underworld). Depending on the rite, a Vedic ritual might make reference to the pillars that hold up the world instead of a great tree.
  • Outdwellers – In the Irish hearth, these would likely be seen as the Fey/Faerie folk, and would generally be appeased, rather than warded against. In an Anglo-Saxon or Norse hearth, you’d be more likely to see warding against the Jotun, especially with invocations to Thor/Thunor, as that’s part of his function.
  • Three Kindreds – An Irish Celt might call to the beings of Land, Sea, and Sky instead of the three typical Kindreds (Corrigan “Worlds”).
  • Filling out the Cosmic Picture – An Irish Celt might make reference to the five provinces rather than the three worlds. A Norse ritual might acknowledge the nine realms (instead of three) and possibly make mention of each one.
  • Key Offerings – For a warrior ritual, one might make offerings to The Morrigan, or to Odin and Freyja, or to Mars, depending on one’s hearth culture. Similarly, depending on the type of divination being done, Odin (runes), Freyja (seidhr), or Apollo (oracle) would be appropriate.
  • Sacrifice – Perhaps the most dramatic (in size at least) culturally specific sacrifice is the hecatomb – a sacrifice of 100 cattle to Apollo, Athena, and Hera in the Hellenic culture (Wikipedia “Hecatomb”). (Someday I would like to see this replicated with a herd of children’s toy cows, or possibly of hamburgers.) Norse mythology also has the very dramatic (in function) sacrifice of the King in order to reverse a series of bad crops or famines. Less dramatically but perhaps more realistically, the Anglo-Saxons typically “sacrificed” the first loaf of bread to the fields at Lammas (hlaf-mas) to ensure good crops the next year.
  • Omen – Different forms of divination would be typical to different cultures. The Romans were particularly fond of watching the flight of birds, where Norse divination by casting lots/symbols is attested in Tacitus.
  • Blessing Cup/Return Flow/Waters of Life – The word “whiskey” (or “whisky”) is an Anglicization of the Gaelic word “water”, as part of the phrase “waters of life”, so you are very likely to see whiskey used in Irish rituals. (Whether this is because it’s significant or because people generally like whiskey I’ll leave up to the reviewer.) The Latin “aqua vitae” also is a reference to distilled spirits and means “waters of life”, so Roman ritualists may also use a distilled spirit. Norse rituals are more likely to use mead, as that drink was sacred in their culture, and the Norse have a direct “cup” symbol in Odhroerir (Wikipedia “Óðrerir”).

While leaving the original structure intact, there is a great deal of variation that is possible within the Core Order.

2.    Describe how ADF liturgy corresponds with your personal or group practice. (minimum 100 words)

I am currently involved with two groups that use the Core Order of Ritual fairly extensively. First, Protogrove of the Live Oaks does core order rituals every high day (as you would expect for a functioning protogrove). I have written several rituals for their use, and aside from not usually evoking the spirits of Inspiration, have found that they appreciate the structure of the core order and that it works well for our groups to have 3-4 people perform the ritual each high day, while the crowd of participants/laity sometimes approaches 15-20 people.

In the study group I lead, as we work through the Dedicant Path, we specifically have studied the core order, and use it for our own high day rituals every season as well. I help my students write these rituals, but primarily it is an exercise for them to get used to writing rituals so they will develop good liturgical skills. In the study group, everyone participates in some way in all the rituals, since there are only 5-8 of us, and we divide up the parts before the ritual so that everyone can be involved in gaining ritual skill. While this sometimes makes for less powerful rituals, it does a good job at helping us feel connected to one another, even if not everyone is destined to be a great liturgist and performer.

Privately, I occasionally do full core order rituals, especially if I am doing a particularly serious working, but in general I do condensed forms of this structure. I like the core order a lot, and I like high ritual, so I enjoy it, but for everyday use, it is much more likely for me to be able to continue a regular practice that only takes 3-5 minutes at a time. As I work on the Liturgy Practicum portion of the Initiate’s Path, I will be adding more core order elements to at least a weekly ritual, if only so that I can get better at improvising aspects of the ritual and can get away from using a ritual book.

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13.    Discuss your understanding of the Omen. (minimum 100 words)

The omen is the point in the ritual after the offerings and sacrifices have been made when the Seer steps forward to ask of the Kindreds what their reaction to the offerings will be (Newburg). Some groups ask specifically if offerings have been received (and make more offerings if the answer is “no”), while others assume that all offerings will be received in the spirit in which they were given and will thus be returned with blessings (Dangler, Newburg). The omen is typically taken through the reading of runes, oracles, cards, or other divination methods (older Druid groups typically read bird flight or natural omens instead, which is sometimes still done in ADF). It is up to the Seer to determine the nature of the omen, whether it is positive or negative, and what it means for the grove as a whole. In general, this omen also applies to the individual participants, who should think on what it might mean for them in particular.

14.    Discuss your understanding of the Blessing Cup, or “Return Flow”. (minimum 100 words)

Once the omen has been read and interpreted, the Priest/ess/Druid will ask that these blessings be transferred into the cup of (usually) drink that has been sitting on the altar. This is the direct return flow for the energies of the sacrifices and offerings that have been made. While they traveled through the gates to the otherworlds, the return flow travels exactly in reverse, from the otherworlds through the gate, to be caught in the vessel and presented to the people. This energized water, a mingling of “fires” and “waters” represents the Waters of Life. It is then shared among the participants of the ritual as a way of internalizing the blessings into each person and feeling the transformative power of those blessings. Individuals are directed to visualize the blessing pouring into them in whatever form they might need, as it is at this time that each individual can receive a personal and direct blessing from the powers.

Typically the Return Flow is thought of in three parts: Calling (asking) for the blessings, Hallowing the Blessing, and Affirmation of the Blessing (Newburg). Calling for the blessings is the step that initiates the return flow, where the *ghosti relationship is reaffirmed and reminds the Kindreds of when and how to confer the blessings, and sometimes what blessings are called for specifically. Hallowing the blessing realizes the arrival of the blessings, which permeate the beverage in the blessing cup and confer holiness and sacral power to the drink. Affirming the blessing has two parts – confirmation and integration. Confirmation is the full acceptance of whatever blessings the Kindreds give. Integration is the process of consuming the blessings and making them a part of the imbiber physically, mentally, and spiritually. (Newburg)

In rituals for large groups of people, sometimes the waters are asperged over the group instead of forming long lines of individual people and waiting for each to drink, as a way to keep the ritual energy from stagnating.

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10.    Describe other possible models for the “Filling Out the Cosmic Picture” sections. (minimum 100 words)

Filling out the cosmic picture is the way in which we call the various beings into our ritual center to take place in our rite. Most typically, this is done in three invocations to the three kindreds. This could also be done as three invocations to the beings of Land, Sea, and Sky (particularly if the ritual was of a Celtic bent) (Corrigan “Worlds”), or by invocations to the beings of the Underworld, Middleworld, and Upperworld (Dangler), since depending on the cosmology, there are deities in all three places, and ancestors can go to various homes, such as going to Folkvangr/Valhalla instead of to Helheim (in the underworld). If the ritual is to be Germanic/Norse in hearth, there might be nine worlds that are opened/called upon, instead of the usual three, or an Irish ritual might call upon the five provinces. The ritual could also use pictures or representations of the three kindred instead of (or in addition to) doing called/vocal invocations, especially for a ritual that included large groups of people, as this would connect with different senses than just sound and imagination.

11.    Discuss how one would choose the focus (or focuses) for the Key Offerings. (minimum 100 words)

Generally speaking, the focus of the key offerings should match the beings of the occasion, the purpose of the ritual, or both (Newburg). For the 8 high days, there is commonly attributed lore for what kind of deities and offerings would be appropriate (calling upon fertility deities and offering seeds and flowers at Beltane, for example). For magical workings, there are myriad lists of magical correspondences that would fit into the general paradigm of the working itself, or the previously listed lore for what certain deities might like as offerings. There is also the opportunity to do meditative work on the various beings to think of ways that you might please the spirits who are the focus of the ritual. Though this would generally be classified as unverified personal gnosis, it may also fall under the “common sense” category, depending on what you come up with (healing herbs as an offering in a healing ritual, for example). In general, though, it’s best to match your key offerings either to the occasion or to the beings that are central to the ritual in a way that makes sense for the purpose of your ritual, and go from there.

12.    Discuss your understanding of Sacrifice, and its place in ADF liturgy. (minimum 100 words)

Sacrifice means “to do/make sacred” and is the process by which things are set apart for the spirits that we are making sacrifices to/for. I typically see this represented as Gebo/Gyfu – as the Havamal says, “a gift calls for a gift” – where we are entering into a relationship with these spirits that is categorized by gift-giving on both sides. We make sacrifices and offerings; they give us blessings in return. It is a relationship of reciprocity, though not in a “tit for tat” sort of way, but in the manner of a cultivated friendship. When you are close friends or family with someone, you don’t keep a tally of the things you do for each other, but you reciprocate good things with other good things, perhaps taking turns covering a dinner bill, or paying for a friend’s dinner so you can use their washing machine because yours is broken. It’s not a direct one for one relationship of equality, but a relationship where each gives according to their own measure. This relationship is central to ADF’s liturgy, and forms the backbone of our ritual structure. We create the sacred center, invite in the various spirits and powers, and then create a space for sacrifice, where we give of ourselves (whether physical items or gifts of time and energy (like dance, poetry or song)) and they, in return, offer blessings. These sacrifices should have meaning, either to us or to the spirits they are offered to, or both, though they may not come at great monetary cost (Newburg).

Sacrifice is also the act that creates the cosmos, as in the lore when “twin” is portioned out to create the world. The sacrifices we make in our rituals mirror this act of creation and help to reinforce the right order of the cosmos (Thomas). Each act of sacrifice is distributed among the cosmos, reinforcing and re-energizing it with order.

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9 – Describe the intention and function of the Three Kindreds invocations, and give a short description of each of the Kindreds. (minimum 100 words for each of the Three Kindreds)

The three kindreds invocations serve as ways to name and identify the kindreds by type, function, and role in the ritual and in the lives of the participants/the world. They primarily take the form of lists of attributes, titles, great works, or other specific identification markers (like names, realms of influence, type) as ways for us to remember them and for them to be identified and called specifically to our rituals. None of the Kindred are omniscient or omnipresent, or we would not need to invite them to our rituals specifically, nor ask them for specific blessings.

Ancestors: Often called the Mighty Ones or the Mighty Dead, these are the spirits of our past. They can be of several types: ancestors of blood – our direct progenitors and family members, ancestors of heart – those people who were not family but were close to us in life, ancestors of mind – people who taught and inspired us, and ancestors of spirit – people with whom we share a spiritual path, as well as the ancestors of the place in which we currently live or do ritual. We call upon all the different Ancestors in ritual (sometimes specifically, sometimes all together as one category) and ask their blessings and protection. The ancestors are typically beings who are concerned with the well-being of their descendants, and can be reliable allies in life (Corrigan “Worlds”). Offerings to them should be tailored to their specific likes in life (if they are being called by name) or, more often, general offerings of food and drink (to show that they are welcome at our table and to spiritually feed them from our own bounty). The Ancestors are invited to connect us to the past and to the ever present spirits of those who have gone before (Bonewits “Step”). They provide a link to all the previous priests and druids who have gone before, and ask their presence and blessing and guardianship over the ritual.

Nature Spirits: Often called the Noble Ones, these are the spirits of land and place that inhabit the middle realm with us (Corrigan “Worlds”). They can be of myriad types, from house spirits and land spirits to animals and plants, to elves and fae, depending on the ritual and the person(s) performing it (Bonewits “Step”). Sometimes mischievous, other times aloof, they do not depend on human interaction, but are instead honored as part of the world that we inhabit and call home. The non-animal Nature Spirits, in particular, have specific ways they like to be addressed and given offerings, and when those preferences are upheld, they are often friendly and helpful spirits to us. The Nature Spirits are invited to give us the comfort, knowledge, and blessings that we will need to accomplish our goals for the rest of the ceremony (Bonewits “Step”).

Deities: Often called the Shining Ones, First Children of the Mother, these are the beings most often honored as “spirits of the occasion” in ADF rituals (Corrigan “Worlds”). They are the gods and goddesses that we honor and worship, and from whom we expect the greatest blessings and protection. They are the great heroes of myth and legend, and we relate their stories as a way to honor and remember them. They are all separate (or mostly separate) and each has his or her own personality, likes and dislikes, and function within their respective pantheons. By these attributes, we relate to them and make offerings to them (Bonewits “Step”). The Dieties are invited to provide us with power and blessings, especially power and blessings particular to the rite to which they are invited (Bonewits “Step”). As well, they fulfill the goal of ritual that seeks to exalt the ritual attendees spiritually (Bonewits “Step” Corrigan “Intentions”).

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I think it’s about time I repost and update my daily practice, since it’s been a few years since I’ve talked about it, and it has evolved a bit. First, though, my altar has some new items that I want to show off!

Altar - April 2016

This is just the working surface (which you can tell is used, by the amount of ash that I continually fight to keep cleaned up). I have a shelf full of deity and spirit icons/tokens above the tree, but it’s hard to get a picture of both that looks good.

The new items are the incense burner on the left, and the oil lamp in the middle.

Both are made by blacksmith David Cohen, at Dark Moon Forge in Austin. I’m lucky enough to know David in person, having met him at the Texas Imbolc Retreat the last two years, and he is a wonderful artisan. I purchased the incense burner from him last year, and then a few weeks ago he was posting on Facebook about the new oil lamps he was making to gauge interest. Typically he doesn’t do mail-order items, preferring to sell his wares in person in the Austin area, but I asked very nicely, and he mailed me my new lamp.

I had to wait a few days to get the lamp oil in (I’m using Firefly Clean Lamp Oil, since it’s odorless and smokeless), which was agonizing, but I’m SO happy with how it looks. I’ve tried various configurations of candles for the fire representation on my altar over the years, and never found anything I truly loved. I also had problems with candles getting weird and needing to be replaced because they were only lit for 5-10 minutes at a time. This lamp will burn for any amount of time, and I just love the leaf handle (which does allow me to carry it around, but since it’s an open container of lamp oil, I’ll have to be super careful with anything like that). I still love and burn lots of candles, but for my altar, I see myself using this oil lamp for a good long time.

Regardless, if you happen to be in the Austin, TX area, I can’t recommend Dark Moon Forge highly enough.

As for my daily practice, I first posted about it in June of 2014 as I was working on my first pass at the Liturgy Practicum class, before I had started on the Clergy Training Program. I typically do this practice at my mid-morning “coffee” break (I don’t drink coffee, but I like to get up around 10:30 or 11 and stretch a bit.)

Not a lot has changed, but I have added to it slightly, and I still feel like it’s not quite finished.

(Three breaths to center self)

Hail to you, Hertha, Earth Mother – may I always be supported as I walk in your ways.

The earth is below me, the heavens above me,
The flame lights the way! (Light lamp)

The earth is below me, the heavens above me,
The well flows within! (Fill/touch well)

The earth is below me, the heavens above me,
The tree spans the world! (Bless tree)

Let us pray with a good fire! (Light incense)

Eostre, Guardian of the Gates of Dawn, hold fast these gates that I may speak into the worlds.

I make offering to the gods.
May their power be with me this day. (Cense altar shelf)

I make offering to the ancestors.
May their wisdom be with me this day. (Cense altar shelf)

I make offering to the nature spirits.
May their blessing be with me this day. (Cense altar shelf)

The waters support and surround me
The land extends about me
The sky stretches out above me
At the center burns a living flame
May all the kindreds bless me.
May my worship be true
May my actions be just
May my love be pure
Blessings and honor and worship to the holy ones.

Mighty, Noble, and Shining Ones, thank you for your blessings and your presence.
Eostre, Guardian of the Gates of Dawn, thank you for keeping fast the ways.
Hertha, Earth Mother – thank you for upholding me always.

(Three breaths to center self)
(Extinguish lamp)

I always think it needs a daily rune draw, but I haven’t managed to figure out a good way to do that. If I leave my runes on my altar, I forget about them when I need them for ritual or study group meetings, and though I have a journal specifically for readings, I never seem to remember to write down what I drew. (I have a working memory like a rusty sieve these days.)

I also feel like I should make some kind of offering to the deities I’m working with by name (Ing Frea, Hela, Frige), as well as to my ancestors and house spirits, but I also don’t want to have a 15 minute practice. I’ll never remember to do the whole thing if it’s going to take more than just a few minutes. Perhaps I need to have a weekly practice to make specific offerings. Or maybe I need an evening practice to do?

I’ve talked to other ADFers, and they seem to have more “built in” practices – an offering to the ancestors with breakfast coffee, and the like. I have trouble starting anything like that due to just sheer forgetfulness, but with all the beings I’d like to be building *ghosti with, maybe I need to just send myself a bunch of reminders!

Anyway, this is obviously a work in progress – I try to balance as much oomph as I can get into a small bit of time, knowing that I’m most likely to actually do the offerings that way, and so far it works nicely.

Any thoughts you might have on polishing this into something a little more “complete” feeling would be really nice!

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8.    Discuss the Outdwellers and their significance in ritual (or not, as the case may be). (minimum 100 words)

Outdwellers are representatives of the forces of chaos, and generally are seen as beings that would act contrary to the rite that is being performed (specifically to the order that ADF ritual seeks to create) (Newburg). While some view them as specifically malevolent or chaotic beings, others view them as simply “anyone we’re not actively making offerings to today” (Newburg). Some groups also include human feelings and impulses (like anger or jealousy) that would have a negative impact on the rite as part of the outdwellers (Newburg), though making offerings to those feelings seems odd to me. The outdwellers can be a significant (or not) portion of ADF worship depending on how they are viewed by any particular group that is performing the ritual. Some groups make offerings to the outdwellers directly, some groups make offerings to a protective god/ess or spirit to protect the sacred rite from the influence of the outdwellers, and some groups ignore them entirely, preferring not to name those forces and thus garner their attention. I usually do some of the first two – I make an offering to the outdwellers directly (usually beer or soda or cider), and then ask Thunor’s protection of my ritual space – which is something of a threat, considering how Thunor usually deals with things that disrupt the order of the universe.

Added 7/15: Our protogrove has chosen simply to ward our ritual space through an offering and song to Thunor, which is based on an Anglo Saxon hallowing charm, set to music. We tried several other methods of offerings, and nothing felt quite right, but we also didn’t feel right completely ignoring the idea of the outdwellers, and so we settled on using a guardian deity whose function is the protection of the middle world to specifically protect our ritual space. We make these offerings to Thunor both at the beginning of the ritual (asking for protection) and at the end (thanks for protection), as well as singing the charm and carrying fire around the space.

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7. Discuss the origins of the Fire, Well and Tree, and the significance of each in ADF liturgy. (minimum 100 words for each of the Fire, Well and Tree)

Fire: The Fire forms one of the gates in ADF’s sacred center. It is the connection to the upperworlds, and it is most often affiliated with the Deities. It is the hearth fire and the essence of change, the spark that creates life (Paradox). Fire burns away impurities and makes things sacred. The sacred fire is the recipient of many of our offerings, which burn into smoke that feeds the deities in the nature of the Vedic sacrifices to and through Agni. Fire was highly important in Indo-European cultures, and many sacred fires are found in the mythology, from Agni (who is fire itself) to the Roman hearth fires and Vestal fires (Dangler).

Well: The Well forms one of the gates in ADF’s sacred center. It is the connection to the underworlds, and it is most often affiliated with the Ancestors, who go “below” and from whom we get wisdom and memory. It is also affiliated with chthonic deities and their underworld realms. Water from the well washes away impurities and makes things sacred. The well is represented in the mythology by the three wells that feed the World Tree Yggdrasil, from which Odin gains wisdom and the Norns get the mud that repairs the world tree’s roots. It is also similar to the watery otherworld that the Irish see as the home of the Ancestors. (Paradox)

Tree: The Tree holds fast the ways between the worlds. It stands at the center and connects all the worlds, and it is most often affiliated with the Nature Spirits, who live in and among its branches. The tree spans the worlds, from the watery depths of the well to the fiery heights of the sky. It is particularly well represented by Yggdrasil, the great World Tree, whose inhabitants include the dragon (Nidhogg), the squirrel (Ratatosk), the unnamed eagle, and the four stags (Dáinn, Dvalinn, Duneyrr and Duraþrór) (Paradox). The Irish also have an ancient sacred tree, the Bile, found growing over a holy well or fort (MacCulloch).

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